Tuesday, July 31, 2012

Waterfall Park: You can't go home again



What looks now like an ordinary clump of forgotten overgrown forestland by a dry creek bed made up of dusty rocks and sand was once a pristine park in the woods created by a child. In the Atlanta neighborhood of LaVista Park where I lived from 1973 until 1979 was a patch of woods which as a kid I played in almost daily. Sometime around 1974 I met the owners of this 12 acre urban forest, Jerry and Louise Drown. The Drowns had saved the land from developers the decade before and as I have written  before in this blog, I was intrigued by the Drown's modern house with their gardens of wildflowers that surrounded it. Maybe the fascination I had with the Drown's blending with nature while living in suburbs, their surroundings felt like the deep mountains, inspired me as a kid of eleven to do this odd project, I build a small park on the Drown's property. I put the park together myself and named it Waterfall Park. I made a sign for my park at home with my wood burning kit and dedicated the spot to Jerry and Louise Drown for as the sign read, "For their Love of Nature". The park was indeed small made up of two small stone lined paths with a few well-placed large rocks amongst some transplanted ferns. It was more of a garden really than a park per say. As the name proclaimed, there was a small waterfall at this particular bend in the creek which as I recall always flowed with clear spring water during my childhood. Other neighborhood children joined in building the park, but admittedly at times the place and project was used as a point of torment by the same children. Once during more peaceful times with the kids on my street, we gathered and held a surprise birthday party at the park for my friend Bert. My pal never expected friends and family to pop out from behind the trees on that day as I lead him on a mission to stop someone from burning trash in the forest. Actually the smoke he saw was from a grill set up for his party. We had our hamburgers and Bert preformed his less than successful magic tricks The joyful times were caught in long lost photos by Jerry Drown who made a living as a commercial photographer.

I maintained this park occasionally into my early teens not letting the dream die before moving out of the neighborhood in 1979. In the late eighties the land surrounding the park was sold to a developer, the Drowns departed for a retirement in the Tennessee Mountains, and townhouses were built on the hills just above the park. I suppose the actual spot of the park was saved due to the creek and the flooding potential in the area.

Though these days I live close by to Waterfall Park's location, for almost thirty years I never got to see what remained of the spot until the day of this above photo. On July 29th I bushwhacked my way into the remaining woods tripping through tangled thorns while avoiding - as I could - oversized poison ivy plants, and I fought off numerous hungry mosquitoes while with the fear of West Nile on my mind. My opportunity to visit this personal hallowed spot had resulted from a house being torn down on the outskirts of the woods thus allowing me the desired access to the area while looking less like I was trespassing, which of course I was. I found a large fence separating me from the actual site of Waterfall Park so I couldn't stand on the site itself. The fence fit the situation since you can't really go home again as the saying goes. Standing there I noted consequence of nearby development as there is a great deal of erosion at the park site. The woods themselves, or what remains of the woods, have been taken over in many spots by invasive plant species, mostly huge amounts English Ivy, all greatly damaging the area of this once perfect forest. The rocks that once made up the park's waterfall now lay partially covered up by sand and dirt and they aren't positioned to make a waterfall now; that is if and when water is following in the stream. It's interesting to see that upstream from the Waterfall Park site someone has built a wonderful redwood screened- in deck just off from their townhouse next to the dry creek bed. I suppose as it is the setting of that deck is ideal with its proximity to trees and birds, but the owners there enjoy their wood addition unaware of the once better environment that had existed; it's my memory and their loss. The babbling brook and hardwood forest uninhibited by overgrowth are now gone. It makes one think about the land we all reside on. As we live on our own space we know changes in the landscape are inevitable for better or worse, though it does cause for a pause to think about what becomes of the land we take from for our lives. I have had countless dreams about these woods of my childhood and of Waterfall Park, but truthfully,while the place still exists, it lives on in better shape in my dreams and memories.

Tuesday, June 19, 2012

Life Beyond Bubblegum



 

Perhaps it is curious that I own this album by seventies teen favorite Shaun Cassidy, but this one album Wasp is beyond Shaun’s usual bubblegum. Shaun Cassidy's last album is not a brilliant work, it's just unexpected. This album is what the stuffy music collector wants out of pop music artists; it's not about feeding the mainstream, but rather about stepping out of the box. This is the one album you pull out to surprise your friends who might recoil at the sight of this bubblegum star. Wasp is just interesting enough and perhaps just good enough to be beyond a closet favorite in my collection.

I believe I learned about this record via college radio close its release in 1980. For years I had the record on vinyl and just recently found it reissued on CD. At the time of it's release Shaun’s core audience of teenaged girls were entering early adulthood. His previous album Room Service didn’t chart and so in an effort to hang onto his music career he needed to change his image to a more grown up and perhaps edger style. With a new direction in mind he employed music veteran Todd Rundgren and his band Utopia.  I have considered that Cassidy with this album wished to end his then current record contract by doing whatever he wanted, but actually Rundgren as a producer couldn’t have been cheap. Basically, what Cassidy and Utopia created was a new wave record much in keeping with other 1980 crossovers that hinted at new wave styles. Punk and New Wave pushed a “back to basics” mindset in music and a few major rock artists took notice. Billy Joel in 1980 had done the edger Glass Houses, Paul McCartney released his sparse McCartney II album, and Linda Ronstadt stepped away from her usual by covering three Elvis Costello songs her album Mad Love. Wasp never dented Billboard’s Top 200 and Cassidy soon moved on and into a successful business career in television. Shaun did have one last stab at music in 1989 dropping the musical adventure of Wasp and releasing instead a slick European only single called "Memory Girl'' before retreating back to the TV biz.  

One way to describe Wasp is to note that any production work by Todd Rundgren often makes an artist sound like Todd himself; though I'll say XTC’s Skylarking didn’t fall into that trap, but Rundgren’s production of the band the Pursuit of Happiness is a case in point of duplicating Rundgren's Utopia. One person’s review of Wasp wished for Utopia to rerecord the record only with Rundgren’s vocals, but actually Shaun’s singing is fine. Reviews noted that for most part the album is a remake of Rundgren’s Faithful album which like Wasp is a mix of covers and originals. 

If any of Shaun Cassidy’s teenybopper fans had hung on long enough to make it to Wasp in 1980, after his main success between 1977-1978, I personally would’ve loved to have seen their reaction to this work. The opening track, a cover of David Bowie’s “Rebel Rebel “ might be announcing  a hybrid of bubblegum and new wave. Here Cassidy’s voice is the lower register while a high pitched almost Bee Gees sounding second vocal moves over a steady synthesized beat mixing with a guitar sound much like the original David Bowie version.

Now with Wasp in mind let me bring up the ridiculous idea where we get Justin Bieber to record Radiohead covers, then co-write songs with Elvis Costello, and get Mitch Easter to produce it. Is that a dream or a nightmare? I do find records where popular artists move out of their comfort zones to be very interesting. Sometimes the change is simply a desperate career move or other times it is true art. In recent times teen star Mandy Moore dared record XTC's “Senses Working Overtime" on her album Coverage; she has since widened her range even further. Think about when the Monkees brilliantly poked fun at their own teen stardom in the film Head; Shaun isn’t really mocking himself on Wasp or is he? Once artistic development and progression was once more the fashion, consider how the Beatles went from teenyboppers screaming for "She Loves You" to recording an album like Sgt. Pepper's Lonely Hearts Club Band. For Cassidy perhaps Wasp was progression, but of course he didn't take it any further.

Let me note that Curb Records has done something here that I haven't seen done by a label in this day and age of digital downloads, they released this album as a CD-R .For the money you get a printed cover, CD label ,copyright information and the songwriting credits.

Wednesday, June 06, 2012

New Beach Boys




I have listened to enough of the Beach Boys catalog to get the contradiction between the cheese factor, the song 'Kokomo' is the usual target in this category, and pure musical brilliance as heard in their singles like 'Warmth of the Sun' and on albums such as Today, Pet Sounds, Sunflower, and Smile. With this band you end up forgiving flaws because there are so many treasures to pull from. And so I bought the first Beach Boys release containing new material in 16 years, That’s Why God Made the Radio. Current interviews reveal Mike Love’s continued desire for commercial success and this record occasionally shows that he and Brian Wilson have a hard time understanding that quality might sell over trying too hard to make a radio friendly music that radio won’t actually play, but as always quality is subjective . Now, despite the debate about the title track “That’s Why God Made the Radio” the first single from the album, I note there was one critic that called it "miserable" then another “their best single in 35 years”, I happen to love it. Hearing that song takes me back to the awesome show they gave in Atlanta under a starry sky in early June. There are tracks on this record which show Brian Wilson understands that music that is deep and complex in conjunction lighter themed material is half of the appeal of the Beach Boys and here he gives the people what they want; listen to the last three tracks. 

Listening to the peppy yet dated sounding tracks like 'Spring Vacation' makes me realize that I certainly get those songs and I see the appeal, but then it's a hard sell to the those who favor intellectually the music on Pet Sounds and Smile. I am comfortable pointing these folks to the more baroque pop like the word free intro 'Think About The Days', and the suite of music which closes the album 'From There To Back Again' , 'Pacific Coast Highway' and 'Summers Gone'. Little of Brian's solo work has been as engaging as these tracks and I believe he has been saving them for the chance to have the Beach Boys record them.  

I am still digesting this new one since it came out yesterday. I know there are better releases for the money, but these are the guys who influenced some of the better artist recording now, the Shins, Fleet Foxes and Beach House come to mind, and new material by the “Boys”, is relevant entertainment if even just for pleasant moment in the day.




Friday, April 27, 2012

On Being Episode

Yesterday on my walk home I listened to a podcast of Nation Public Radio's “On Being" with Kristin Tippett”. From December 22, 2011 Tippett interviews Old Testament scholar Walter Brueggemann. I have seen Franciscan Father Richard Rohr reference Brueggemann many times and actually call Brueggemann his favorite theologian so it is no surprise to find Brueggemann in the same club as Rhor approaching the non-dualistic contemplative Christian mindset. With the current argument by the U.S. Conference of Catholic Bishops against the controversial Health and Human Services contraception insurance rules for religious institutions   and then the Catholic hierarchy's criticism of Catholic nuns attitudes and behaviors within the Leadership Conference of Women Religious I find it interesting to see various interpretations on biblical teachings about handling issues. At times I have struggled with my feeling that on the surface the Catholic church has lost some of the mystical and transformative messages of the Gospels and we are caught in a cycle of dualistic opinion making where either/or thinking abounds. Brueggemann in his interview with Tippett gets to the core of what I see in scripture, something that is greater than mere ideology. Below I paraphrase part of the conversation between Brueggemann and Tippett that struck a chord with me on this radio program. 

Brueggemann: “We see in the Old Testament prophets hardly ever discuss an “issue”. They don’t discuss issues of their time as we discuss abortion and same sex marriage for example, rather they go underneath the issues that preoccupy people to the more the foundational assumptions that only can be gotten at in elusive language. The institutional church has been preoccupied with issues", Tippett then interjects "which automatically puts you on one side of an issue or the other”, Brueggemann responds: which robs you of transformative power because it is ideology verses ideology which never ends up good for anyone”.

Similar to what Brueggemann speaks of concerning issues, I love a reflection I found by the late Catholic priest and writer Henri Nouwen in his book “Mornings with Henri Nouwen”. In the book Nouwen states,  “I have the impression that many of the debates within the Church around issues such as the papacy, the ordination of women, the marriage of priests, homosexuality, birth control, abortion, and euthanasia take place on a primarily moral level. On that level, different parties battle about right or wrong. But that battle is often removed from the experience of God's first love which lies at the base of all human relationships. Words like right-wing, reactionary, conservative, liberal, and left-wing are used to describe people's opinions, and many discussions then seem more like political battles for power than spiritual searches for the truth”.

Personally for me it is as Brueggemann says, "Going underneath the issues that preoccupy people to the more foundational", that intrigues me. I do find myself in a struggle with the appropriate way to wage a non-judgmental fight for justice. It seems to be difficult not to divide people into camps of good vs. bad during the process of seeking justice. I do think that the God of the bible does know intimately both the victim and victimizer , the just and the unjust all while maintaining an unconditional love for both, yes paradox everywhere, but we humans really don't know how to grasp that or really what to do with it.

Friday, August 19, 2011

Really? I wanted to hang out with him

It is almost too easy these days to find out "the rest of the story". One morning while reading online I had the deep past come back to me along with some present realities. The first news had me dumbfounded, there staring at a post on Facebook, I learned that a college friend had been dead for 14 years. I didn't know of the person's passing until this post which just happened to name check him. This was a guy I knew as Jet Screamer, though his real name was Christopher Fullerton. I had assumed for years that Jet was thriving someplace, but doing what I didn’t know. Actually, I'll admit I hadn’t thought about Chris ,aka Jet, in years until this Facebook post. Jet I found out had tragically died in 1997 in a car accident someplace in Alabama. It was a day later when I made another discovery this time via my own curiosity and a Google search. After a longtime hunt for a photographer friend of mine who I knew when I was a child and young adult, Jerome Drown, had died fairly recently. Jerry, as I knew him, certainly was not a kid when I knew him best, in the mid-1970s he was in his sixties and so it now being 2011 I assumed Jerry was no longer among us, but actually he died just two years ago in 2009. Jerry Drown was someone I had repeatedly planned to contact, but now he like Chris  he was gone. Both Chris and Jerry had left our earthly presence and now I found myself now asking “what if”. If only I had called or simply kept up with these two persons, because I really had planned to do just that. Forced to live in the "now" of the situation there is just simple gratitude for having known these two men even if it was for a short period in my life. What follows are my descriptions of these individuals that I cherish as part of my own life story.


Jet Screamer


Chris Fullerton during his college days I suppose gave himself the nickname Jet Screamer based on a pop star character in the cartoon series “the Jetsons”. I had known Jet at Virginia Commonwealth University. In the eighties with this “Jet” nickname fully intact I didn’t know his real name was Chris. We were both undergrads and spent our time together at WVCW  the campus AM carrier current radio station. I was the Music Director and Jet was the Rockabilly DJ. Beyond Chris being on the air once a week, he would come by to listen to records and that’s where I got to know him. As I recall Chris sported a Rockabilly hipster and semi- gas station attendant look; I couldn't place him in my mind 22 years later as job holding adult. It’s a convoluted  story how Jet came back to me, but NBC Nightly News had shown a story showcasing a man who provides grave markers for former Negro League baseball players and this particular story had reminded my Facebook friend of Jet and she posted the article. Apparently Jet/Chris had done his master thesis in Southern Studies at Ole Miss on the Negro League team the Birmingham Black Barons. Jenny’s post mentioned a hardcover book version of Chris Fullerton’s thesis called “On Any Given Sunday” published by Chris' family after his death in 1997. At the time of Chris' passing he was executive director of the Friends of Rickwood Field in Birmingham, AL. Built in 1910, Rickwood Field is oldest surviving baseball park in the United States; quiet the historic place. I learned through an e-mail from Jenny that there is plague in memory of Chris at Rickwood Field (see image above). Finding out about Chris’s life and interest after college I realized that separately our passions became more aligned. My interest in baseball grew two years after I finished at VCU, mostly with the Atlanta Braves’ winning ways. I think now Jet and I would have had much to discuss beyond what was our usual music conversations in college. Actually I don’t think I would recognize the person on that Rickwood Field brass plague at as the guy I once knew as “Jet Screamer”, but it is indeed a fitting monument to the man. I told someone I hope to catch a heavenly ballgame with Jet someday, but still with this late news there is a melancholy feeling in me.


Jerry Drown


Jerry Drown and his wife Louise I knew when I was in my childhood years in Atlanta. Behind a row of houses across the street from our house was a large old growth forest hemmed in by 1950s ranch style homes. Much of this urban forest was owned by the Drowns. They had saved this forested property from development sometime in the sixties by the purchase of twelve acres as an addition to their property where  their house stood. Their house was a testament to a modern home ahead of its time, it was set back in the woods with redwood panel sides, skylights, stainless steel appliances and an interior spiral staircase. Outside was just as interesting as the inside with gardens of wildflowers, log stumps as steps, and a man-made mountain stream flowing down a hillside. Apparently over time the neighborhood kids, along with a few adults, maintained a suspicion of the Drowns with their wooded lot and lack of a conventional lawn and a very “different" architecture from the rest of the area; it simply wasn't a brick ranch style home. Conventional wisdom was the Drowns didn’t want to know others or be near anyone else since obviously they had retreated into the woods.


Maybe it was their desire to connect with someone from the neighborhood, especially a young person like myself, which opened the door to my friendship with them. I don’t recall my first meeting them, but when I met them Jerry Drown he was a high end commercial photographer with clients such as Coca-Cola, Southern Living Magazine, and the High Museum of Art. It seems odd looking back now, but at age ten I would go by their house and hang out for hours. I would talk to them about every subject imaginable and they would willingly have me there. I was around as Jerry shot photographs for Southern Living cookbooks and various other commercial food photo spreads; this is where I learned that during photo shoots food is sprayed with an inedible gloss to make the food look more "edible" - fun stuff.

The Drown's house I recall as full of nature photography, modern Scandinavian furniture and museum quality wooden bowls. Intrigued with the Drown's interests and lifestyle, I along with other kids in the neighborhood built a small park on their property with a garden of ferns and rock lined paths. We named the park Water Fall Park and it was to honor the Drowns, as the wood burned sign said, " for their love of nature"; it was perhaps an odd project for ten year old boy to work on, but a great memory nevertheless. My family moved from the neighborhood when I was in the ninth grade. I would return to the neighborhood occasionally to visit with the Drowns and as I grew older and into my college years Jerry often counseled me on my educational and career plans in Commercial Art. I loved my connection to the Drowns, but still I lost touch with them while I was in college.

 After I moved away from Atlanta in the early eighties Jerry and Helen sold their piece of the urban forest to developers. These days large townhouses stand where the forest once was, but the Drown's former home remains on a patch of what's left of the woods. Strange but true, Jerry and Louise were oddly shocked that people opposed the sale of their property which years before they themselves had fought to preserve. Leaving Atlanta behind they moved to a cabin near Gatlinburg,TN to live their remaining years . Early in my career as an AV tech returning to Atlanta I ended up working across the street from where Jerry Drown’s studio once was. Over time there were many life comparisons that I wished I could have discussed with Jerry and Louise, but with life at hand I never attempted keeping in touch nor making a visit to Gatlinburg. My assumption was that Jerry was long gone, but I kept meeting Atlanta photographers who had worked with Jerry and one told me he was still alive; "Old Man Drown" he called him. One day my happenstance Google search found me too late for reconnection and communication as Jerry Drown had died in March of 2009 at age 94. Next year I hope to visit the Arrowmont School of Arts and Crafts in Gatlinburg and walk through the Jerome Drown Gallery which features his extensive collection of wood objects. It's too late to talk to Jerry, but I remain happy for having known the man.

Update:  This blog posting this has brought contact with the family of Jerry Drown. It seems I had Jerry's second wife's name wrong, it was Louise (Lou) not Helen as originally posted, Helen was his third wife. Answers to questions and unexpected pieces of Jerry's story where reveled through my contact. The internet is a strange world indeed.

Monday, August 08, 2011

Pretty much my thoughts exactly - " We Downgraded Ourselves"

Most of the time I don’t put opinion pieces up on Facebook. I keep saying you can't get a decent point across on Facebook so my viewpoints about current news events often end up on my blog.I don’t have all answers and I often have more questions than opinions. I try to live knowing that institutions are inherently broken and oddly I have to live in peace with that notion while having a bit of commonsense about when to speak up; talk to me if that doesn’t make sense.


 At this moment I think CNN and Time magazine's contributor Fareed Zakaria in his piece, "We've Downgraded Ourselves", is very correct in his assessment of the economic situation concerning US debt, our elected officials wrangling over the matter, and the resulting credit downgrade by S&P. You can read or view the video at this link below.  I think he justifiably puts the blame to our crisis not in just one camp.  

http://globalpublicsquare.blogs.cnn.com/2011/08/07/fareeds-take-weve-downgraded-ourselves/?hpt=hp_bn2



Wednesday, June 15, 2011

Walking in the woods: Life in the spirit as it as.

I am going to get religion or come to any new enlightenment in the middle of caring for two toddlers? With kids in the home own your time isn’t so much about you "want" as much as it is “what do I have to do“. I know I can be proven wrong, but it seems in this moment of time in my life institutions of the soul are not easily navigable with children in tow. Often it seems that churches along with art museums, conventions, concerts, theaters, and seminars are set up to convene during our children’s naptimes, feedings, misbehavior, and bedtimes. Books of enlightenment are hard to take in when you’re so very tired from taking care of little ones and even films and videos aren't really an option. With the whirling dervish of responsibility going on in a house with toddlers, entertaining the self or exploring the soul seems first impossible and then a bad use of time or it is really something selfish to do. So how have I at least stirred my soul in an enlightened direction lately?

In-between the moments of diapering, feeding, and chasing around our first born, I found was still thinking and debating in my head about world events, friend’s opinions, and matters of God and spirituality. In this time period I had a realization that my Christian faith was often more centered in moral and cultural debates rather than on a life in the spirit. At a time when church for me often meant standing in outside the sanctuary with a crying or hyper child, there wasn’t much intake of message or solace in prayer time. Using technology as a bridge to spirituality is certainly far from the end all of getting the spirit, but thankfully I entered into this period of yearning for spirituality, and my introduction into parenthood, during the continuing revolution of the Internet with its ever expanding content. During my mile and half walk to my office each morning my iPod has always been a companion. Giving online podcast and books a chance has opened some doors in some unexpected ways. While it isn’t about being  in the community or isn't for me a replacement of the Catholic celebration of the Eucharist, I found the daily readings for morning mass are online via a Podcast. These are the same exact readings of daily mass. My understanding is that a person could actually hear the entire bible, Old and New Testament, in three years with seven days of readings at mass each week. A total the consumption of the bible is not my goal, however it is meditative to walk with verses for a while. My daily church is the canopy of a forest as I walk through a large wooded property of Emory University’s Lullwater Park (see the photo above). The walk is thirty minutes and the daily readings are about two minutes.

The daily readings I admit are not a regular occurrence as I would like; I do have to remember to replenish the iPod with these readings. I have ventured in recent times into the podcast of homilies, church workshops, and complete books. Franciscan Priest Richard Rohr is most often my homilist on my walks. As a Catholic I have, for reasons almost unknown to me, drifted towards writings of either Franciscans or Trappist monks. Since I was a teen I have been intrigued a contemplative lifestyle, though I actually knew nothing of it. Whenever I read works by Thomas Merton I found his perspective on my Catholic faith compelling and new. I recall talks by Fr. Tom Francis while on a retreat at the Monastery of the Holy Spirit in Conyers, GA  ten years ago about Centering Prayer, but this form of prayer and  its way of thought seemed like a distant proposal for life. Through Podcast with Richard Rohr, Thomas Keating, Dr. Jerry Webber, Rob Bell and David Stiendle-Rast, I have at the very least stirred a good desire to explore the contemplative side of Christianity. Christian writers are not the only people I am listening to and reading these days, often I find similar message across a wide philosophical and religious spectrum, for example I have found great wisdom in Jon Kabat Zinn’s Zen viewpoints on parenting. Through many mature sources I am slowly being taught to have an active awareness of being present through spirit in all moments without opinions, anger, darkness, and worries blocking the gifts of the those moments; all this helps when you have toddlers living in your here and now. To go back to the original question about enlightenment with toddlers in the home,  I find they are great teachers and masters of enlightenment to me. They pose the questions and put challenges before me that I never expected. My future with my children is untested and with unexpected insights whether I like or not.

I haven’t ever written about faith before on my blog. Faith writings can sound kooky especially when you are not used to me, Steve Witte, speaking on these things. Oddly there is controversy amongst many people about the works of those I have named in this post. I can assure you that this is about me not knowing more than knowing. I have discovered that during my listening to spiritually ordinated podcast and in my readings I often feel bombarded with astonishment and revelation to the point I can’t order it into anything cohesive enough to speak about. I certainly can’t hold apologetic sessions on or about my thoughts and life nor should I. I wanted to bring spiritually to this to the blog  because these explorations is where I reside right now during my busy and always changing life.

Thursday, February 03, 2011

Soft Facebook and hard news

There is a contrast in my media viewing of the last 15 hours which I am struck by. Last night around 11:00 PM after viewing on television people being viciously beat up and hearing the amplified rounds of gunfire in the early morning streets of Cairo, Egypt, I turned off the set and checked in with Facebook to find sunshine and humor joyously running rampant on all subjects but revolution. This is more of an observation than a condemnation and I can’t declare with ease that anyone is oblivious to major world events. I am just chewing on this from a lone perspective while knowing that Facebook is not the best medium for decent critical thinking or news analysis with its short statements and pokes. It appears life could be crumbling into chaos on television and various internet news sources, but still babies have birthdays, You Tube has real life slapstick, and posted statuses must go on with cryptic meanings. I am not sure that I am actually campaigning for Facebook postings of angst, doom, or sympathy for the human condition. In defense of Facebook as a whole, word is that the protests in Egypt were partly arranged via Facebook and there is real power in social media. Perhaps the public side of my Facebook pals by choice remains privately concerned about certain world events and believes that sunshine and slapstick should prevail as relief to broadcasted chaos, but still what a contrast I see now electronically delivered into my world, at least at this moment.

Wednesday, October 21, 2009

Pylon - Chomp


I am thrilled to see the CD reissue of Pylon’s Chomp album. It arrived in stores and on the internet yesterday. I didn’t buy the vinyl version back in 1983 because I only had my lawn cutting money as discretionary income. Too bad guitarist Randy Bewley didn’t live to see the release. Randy died of a heart attack in February.

Monday, October 05, 2009

New Orleans comes around Decatur



I have an interest in New Orleans and a few weeks ago I found yet another source by which to experience New Orleans – albeit from a distance. At the Decatur Book Festival held three miles from my home was a featured book reading by New Orleans musician and author- by surprise, Paul Sanchez. He came to read from his book Pieces of Me and to play his music to other New Orleans worshipers, owners, and people like me perhaps who can be called proud borrowers of the city.

It’s hard to own something when you’re not so sure you really own it. Actually, if you are not a native of a place, you don’t reside there, and you don’t plan to do more than just visit occasionally, then just how much interest should you have in the place? Does simply adding up a place’s significance in one’s life give you some degree of ownership? I do struggle with my ownership of New Orleans. I have been a visitor there since I was about was about three years of age. My major connection to the city is my parents; they owned the city in their hearts since they met there while in college; it could be said I really owe my existence to the place. With the availability of news from the Crescent City on the internet and a growing list of available books - not only on the recent disaster of Hurricane Katrina, but on the unusual culture of the place, it has become increasingly easy to become a devotee of the place while only getting one real visit per year. This book festival event was probably full of true New Orleanians many of whom perhaps remain in therapy because of Hurricane Katrina, and so this event with Paul Sanchez was spiritual to many in that room.

Sanchez is a native New Orleanian and he was chased away, at least for a time, by the flood waters of Hurricane Katrina. As a musician who used to be in a fairly well known New Orleans band, Cowboy Mouth, Sanchez can draw crowd just for his songwriting, guitar and voice, but the storm made him an author. Displaced from New Orleans he started an internet blog and in time someone who could get him published took notice of this. Between doing songs from his career on this day, Sanchez read from his book Pieces of Me and held his audience’s attention with his stories of place, displacement, and being home again. Those in attendance joyfully responded to his narratives, like the one about folks owning a pet goat in the French Quarter’s urban setting as if it was just another dog. From the book, another story about a fruit and vegetable vendor who creeps through the streets via a pickup truck while announcing his products in songlike cadence over a loudspeaker, only occasionally this guy forgets to silence the microphone for a call on his cell phone, therefore further entertaining the neighborhood. And then there is a hard story for Paul Sanchez to tell, about his changed life after being hit by a taxi cab during a Chicago bike ride while on tour. This accident caused him to black out for months at unexpected times all while trying self diagnose and hide these occurrences from friends and family; tough stuff separate from losing a home in a flood.

People around me at this event were rattling keys and clicking their fingers with approval to the stories he told. I heard yeses uttered as he spoke, almost like it was a lively church service on a Sunday. These were human stories with a sense of place that many recognized could only happen in New Orleans and sadly some of these stories could have been told after Katrina nearly washed the place away.

I bought Paul’s book and a CD called Stew Called New Orleans that he recorded with another New Orleans musician, John Boutte. After the reading, I went back outside and I ran into someone I knew at a book booth out on the street. As I related the story of this Paul Sanchez book event, just talking about it seemed to be oddly poetic to me; New Orleans has that effect even in casual conversation.

I remember days after Katrina defending this city below sea level with its contrasting mix of wealth and extreme poverty. At times New Orleans seems to have only have history and culture on its side in a country conflicted in a constant debate on worthiness. I will stand by my understanding of the place and my awkward ownership like the people with me at this book reading. I told Paul Sanchez after he signed my copy of Pieces of Me, thanks for coming here. Yes Mr. Sanchez, thanks for bringing a piece of New Orleans in you to Decatur, GA for an afternoon
.

Tuesday, August 25, 2009

iPod on Shuffle One Morning Walk 8-24-2009

Thankfully Amelia likes to dance so I can play music at home with a purpose; however really delving into music for serious listening is hard to do at home with toddler duties at hand. Each morning during my thirty minute walk to work I put the iPod on shuffle and hear what happens. With the current 10,125 songs on the iPod, I never know what to expect, but often it’s more glorious than horrid.

Nick Drake- Sunday OK, so it’s Monday, but a track entitled “Sunday” is the introduction to the day. This is an instrumental which is odd coming from Nick Drake whose soft vocals really make mood of his work. The music is nice, but it seems dated without Drake’s voice. This is circa 1970 from the classic Bryter Layer album.

Café Tacuba- Que Pasare I turned up the iPod to hear Nick Drake only to get my ears blasted by a hard rocking Café Tucuba song. These guys are the Radiohead of Mexico, though they are more diverse in style. I had the pleasure of seeing them once at the Roxy Theater in Atlanta. I was one of maybe ten Caucasians in attendance at this sold out show. They don’t ever sing in English even though they are fluent.

Billy Tate-Single Life I had to look down and check to see what this was. The instrumentation is just like a Fats Domino song, which of course makes sense since it’s a Dave Bartholomew production and most likely it was the same backing band that played on Fats’ records recorded in New Orleans in the early fifties.Dave Bartholomew wrote this song and he also wrote many of Fats Domino’s hits.

New Orleans Social Club- Walking To New Orleans Another song related to Fats Domino. This was a hit for Fats Domino, but written by Bobby Charles. This version is sung by Dr. John as part of the Post-Katrina ( August 29 is coming up) New Orleans super group New Orleans Social Club. I saw Dr. John sing this at the New Orleans Jazz Fest in 2007 during a tribute to Bobby Charles at which Bobby himself was supposed to appear, but he didn’t show due to fear of being shot oddly enough, that’s another story.

Jewel King - 3 X 7= 21 New Orleans again! Another Dave Bartholomew production. This was Jewel King’s lone R&B hit in 1950. She disappeared from the scene by the late fifties.

Dicks- Rich Daddy Someone gave me this one. This is a decent punk rock anti-rich girl song- if that’s a category - “ I never had a rich daddy!” OK.

The Shaky Hands- Whales Sing I picked up this band’s CD on recommendation from Jackpot Records while in Portland, OR in 2007. They have a garage band sound, but it’s not 100% in the retro sixties sense which one normally is used to hearing.

The Go-Betweens- Darlinghurst Nights Great stuff from the Go-Betweens’ last record Oceans Apart. It’s a Robert Forster track about finding a diary from a particular time and place. The horns at the end are perfect for the song and they give the piece added substance.

Chris Stamey- Never Enters My Mind Pure pop perfection! This one never gets old. The piano is played to its highest notes which the guitar jumps around a bit. I don’t know how to explain, but this captures being in love and least in my mind.

The Congos – Congoman Via the Big Takeover magazine I learned that at least one person thinks that the The Congos produced one of the greatest reggae albums of all time, Heart of the Congos. It is good stuff indeed, complete with animal sounds in the background of many of the tracks. And so ends the walk to work.

Wednesday, July 22, 2009

Beck does the Velvet Underground

Beck has this great website called Record Club where he covers full albums by various artists. I don't think he has completely covered a full album yet, but he is getting close. His latest endeavor is to cover the first album the Velvet Underground. Click here for the site.

Tuesday, March 24, 2009

Virgin Megastores gone



Obviously there are other sources for music now, specifically on the internet, but the closing of Virgin Megastores in the U.S. by summer’s end really is the end of big retail music stores featuring a deep catalog of product. Another large music retailer, Tower Records, closed all of their stores in late 2006. The only remaining exception in the entity, a store with a lot of square footage devoted just to CDs and records, is Amoeba Music with stores in San Francisco, Berkley, and Hollywood. Amoeba Music is certainly different than Virgin, as the employees at Amoeba seem to be enthused about the product and not just there for a job.

The outrageous prices of CDs at Virgin, often at a list price of 18.99, made it less desirable to even those still keeping to the legal side of collecting. Virgin stores were a destination for me for imports that I often didn’t see elsewhere; something like a rare CD by New Zealand’s Mutton Birds on the Virgin label perhaps. I think it was their tie to Europe that brought in the hard to find stuff to the import section. Their music book sections were often pretty good. At the Virgin Megastore in Las Vegas, I once found a book with nothing but mid-60s articles on the Beach Boys' progress towards what became the unfinished "Smile" album.

Smaller independent music retailers remain, but even they seem to be disappearing. Often the response from my music loving friends to a record store’s disappearance is that they don’t darken the door of the places anymore. iTunes has increased the bit rate, Amazon is cheap, trading amongst friends is simple and there is free stuff on the internet, so who needs a building full of music geeks? What is missed is the one on one, the shop talk, and sharing of information. The future may be , as one friend suggested, nonprofit stores for preserving the culture, or as I’ve seen in one place, a shop only open on weekends in a rundown building behind a junkyard. My toddler daughter may never know what record shop is, outside of what the Smithsonian may setup and she will find it to be an odd artifact as she looks at it from behind the glass display window.

Monday, March 23, 2009

Mardi Gras Indians




I always have a hard time telling people what New Orleans' Mardi Gras Indians are. Mardi Gras Indians in New Orleans gathered Sunday for the annual "Super Sunday" extravaganza.

Mostly made up of African- Americans, Mardi Gras Indians have been parading in New Orleans since the mid – 19th Century. The chants and calls can be found in well known New Orleans music such as in the song Iko Iko. I was enthralled with them at the New Orleans Jazz Fest in 2007. They only come out three times a year, Mardi Gras morning, some during the New Orleans Jazz and Heritage Festival, and the Sunday closest to St. Joseph Day on March 19th called “Super Sunday”.

The New Orleans Times-Picayune website has a great slide show on the Mardi Gras Indians today.I recognize some of the Indians in this presentation from seeing them at Jazz Fest. The picture above is one I took at the New Orleans Jazz and Heritage Festival in 2007. Click here for the slide show.

Monday, March 16, 2009

Another missing link of Punk found


So the name “Death” didn’t work for these guys back in 1974, but I am glad someone found the demo tape in the attic. This is a good story and the kind of stuff I love. By the way, the metalheads reviewing albums on iTunes are really confused over this little known band with same name as one of their favorites; sorry dudes this predates your band, only no one knew it! Please see the link to the story.

http://www.nytimes.com/2009/03/15/arts/music/15rubi.html

Thursday, January 08, 2009

Andrew Bird : Measure for Measure

One of my favorite musicians Andrew Bird has written a blog for the New York Times on the making of his latest album Noble Beast which is due out on January 20th. The Measure for Measure series is excellent. Along with the articles, there are samples of songs showing their development through the writing and recording process. Other artist included in the series include Suzanne Vega and Peter Holsapple of dB's fame. Here is a link below to Andrew's blog piece. Andrew Bird plays in Atlanta on February 4Th.

http://measureformeasure.blogs.nytimes.com/2009/01/07/hot-math/

Tuesday, January 06, 2009

The Old Man and the Storm

Mr. Gettridge of New Orleans’ Lower Ninth Ward is one example of the great and humble people of New Orleans. Mr. Gettridge is part of the gift New Orleans offers our country. He is an individual of true grit and determination. New Orleans needs more of his type to influence the lost youth of this city caught up in a cycle of poverty and violence. I always enjoy seeing Mr. Gettridge on CNN when interviewed by Anderson Cooper during Anderson's occasional checkup of the city’s’ progress since Katrina. PBS has now told Mr Gittridge’s story on Frontline. It airs for the first time this evening.

Friday, January 02, 2009

Blogging and what entertained me last year.

Before I get into the list making of the best entertainment of the past year, allow me a few words about this Kudzu Farm blog. This blog in 2009 is three years old and is my outlet for whatever subject I wish to discuss in a blog form. How many even knew it existed? In three years time I never felt the kudzu Farm was mature enough to tell my friends, or much less semi-strangers, about it; welcome to my secret world I suppose. On my end, there was little time or patience to perfect it into something really decent, or even grammatically correct, to read. We have a toddler at home, and I found writing the baby blog Itty Bitty Witte much easier. With friends and relatives, our young daughter is obviously a popular subject for a blog. Kudzu Farm, as it was, has always languished off to the side.

As of today, after printing out all of the previous entries of the Kudzu Farm, I erased the whole thing.Now,I am completely starting over. I will see where it goes from here. During the past election year I considered writing about politics, only I chickened out after considering the wide diversity of opinions amongst my family members, friends, and co-workers. I feared an argument I couldn't finish properly. I will find things of interest to write about this year. Mostly it will be about my favorite topics, music, art, family, the places we travel to, the things we eat,ghost towns - maybe ,and life observed. If I get brave enough, or occasionally mad enough, there could be a blog on politics.

As I write, I am in the happy holiday vacation bubble of time where there is time to stay up too late and create. Later I will see if I have time for this sort of thing. I really hope I can see this blog through, but see you back on Facebook in the meantime.

My Entertainment in 2008.

Much of my entertainment in 2008 consisted of keeping our daughter entertained and out of trouble. I recall seeing four films in a theater in 2008. All the films I saw I enjoyed, so they all make the list of course. And yes, not all of these films came out in 2008, but I saw them in the past year.

Film

No Country for Old Men – the most famous of the films I saw.

Control - film about Ian Curtis of Joy Division.

Trouble the Water – a documentary on Hurricane Katrina partly filmed by non-filmmakers in New Orleans’ Lower Ninth Ward as the flood happened.

Little Children – saw this at Emory. I will never go to the playground again without thinking about this one. Dark film, but funny too.

Music

Music has always been my principal form of entertainment. With a toddler in the house there are limits to proper listening time. Music does get played at home and our daughter often moves to the beat when in close vicinity. For me there is less headphone- type/concentration time for serious music listening except late at night and thankfully during my daily thirty minute walk to work.

The iPod serves as my main conduit for music these days. When placed on the random mode, or shuffle, the iPod is an amazing DJ and my favorite station. Of course I put the music on this thing. The mixes by this device are often so good; I have taken to writing them down and then even putting the accidental mixes into a permanent playlist on the Pod.

I continue to find new and old music to enjoy. The student workers in my office have turned me on to more international music; it has been mostly South American music in the past year. Radio over the airwaves, via satellite, and on the Internet, plays a part in my taste making. Radio Paradise, WFMU, KCRW, WNCW and WWOZ are all online favorites. Over the airwaves the stations here in Atlanta, such as WRAS, WREK, WRFG and WCLK are decent sources of good taste.

Within print media, I have subscription to the excellent music publication the Big Takeover. The editor of Big Takeover ,Jack Rabid, is often so close in his taste to my own that it is simply uncanny. I guess are both men in our forties who still enjoy new music as well as old. Whatever music he finds and loves beyond my own knowledge is usually something I'll take to as well. Other music publications I enjoy include, Magnet, Ugly Things, Paste, Mojo, I just found Shindig from Britain and though no longer in print form, No Depression magazine is still excellent even online.
Favorites of 2008

Darker My Love -2

Pas/Cal – I was raised on Mathew, Mark, Luke & Laura.

Irma Thomas – Simply Grand

Dungen – 4

Henry Butler - PiaNOLA Live

Fleet Foxes - Fleet Foxes

David Byrne & Brian Eno - Everything That Happens Will Happen

Lucinda Williams - Little Honey

Magnetic Morning – A.M. Friend or Faux

Brown Shoe - Jackalope

Calexico - Carried To Dust

For Against - Shade Side Sunny Side



Not new, but either discovered or found in 2008

Tropicália: ou Panis et Circenses - Various Artist 1968

Plastic People of the Universe - Egon Bondy's Happy Hearts Club Banned 1974

The Dogs - Different 1979

The Dogs - Too much class for the neighbourhood 1982